Lecturing

List Of Units Taught
Position: Unit Coordinator and/or Lecturer;
Manager of Tutors (Pg Students)

Grande Prairie Regional College, Alberta, Canada

Grande Prairie Regional College – 4 courses

General and Modern Western Art History and Advanced Sculpture Studio

The Latin American (post-graduate) Social Sciences Institute, Quito, Ecuador

The Latin American Social Sciences Institute (FLACSO) The Perspectives and Dilemmas of The Contemporary Visual Artist: Cross-cultural History/Theory

University of Tasmania (UTAS), School of Visual & Performing Arts, Launceston

(Small classes of approx. 30 students)

  • The Avant-Garde and the Necessity of the New Unit FFA 252/352 [PDF]
  • Space and Time FFA 256/356
  • “Contemporary Art and Design” FFA 138
  • “Theory A: Beaches, Bombs and Beer” FFA 192 (co-taught with Performance Studies dept.).

University Of South Australia, Adelaide

Charles Darwin University, Northern Territory

(medium-sized lecture class)

  • Visual Cultures: Art and Architecture (co-taught with Building Technology – Interior Design dept.) AHT131 [PDF] and AHT232 [PDF]
  • Advanced Studio Installation Art co-taught with painter Tobias Richardson (small class of 12 graduating students)

Wollongong University Tutor

Kwantlen Polytechnic University, Canada

  • Post Graduate Certificate: Sculpture for Animation and Visual Effects MDIA6403 [PDF]

Art/Design ‘Teaching and Learning’ skills and assessment documents


Student Art Work and Exhibitions

University of Tasmania, Australia

Supervision Experience: 2010 at the Launceston School of Art, Christina Henri, sometimes known as The Bonnet Lady with her project about female convict history in this former penal colony at the World Heritage-listed Cascades Female Factory Historic Site in South Hobart.

Charles Darwin University, Darwin, NT, Australia

Fiona Gavino
article by by Lycia Trouton

(Textile Fibre Forum (TAFTA) no.83, 2006)
breaking ground | making ground
article by Fiona Gavino

(Textile Fibre Forum (TAFTA) no.83, 2006)

Fiona Gavino giving presentation

Fiona Gavino’s sculpture, “Haystack” materials: fibre.

Gavino’s temporary installation is in dialogue with the Public Art, the 1862 statue of Explorer John McDouall Stuart on the pedestal in the background

Raintree Park civic plaza, central Darwin

(photo Credit: Lycia Trouton 2005)

Adrienne Kneebone – Amesh
(Woods St. Gallery 2005)
article by Lycia Trouton

(Textile Fibre Forum (TAFTA))
Aly de Groot – Journey into a Toxic Heartland
article by Lycia Trouton
Emerging Artists in Darwin NT, Australia, 2005
article by Lycia Trouton (Mosaic, 2006)
Top End X-ings: The Art of Jengis Isdianto
article by Lycia Trouton
Contained Open Spaces